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Marra, Kim. “Riding, Scarring, Knowing: A Queerly Embodied Performance Historiography.” Theatre Journal, vol. 64, no. 4, 2012, pp. 489–511. JSTOR.Kim Marra, a scholar of theatre arts and American studies, investigates the emergence and…

“It seems to be Mr. Mitchell’s forte in this story to bring us again and again to the very verge of expecting something just a little more serious than the thing he finally sets before us,” reads critic L. D. D., “but he does it with such…